Showing posts with label Yajiro. Show all posts
Showing posts with label Yajiro. Show all posts

Kokeshi-Do

[kokeshi description]
  • artisan : Tatsuo Sato
  • type : Traditional Yajiro
  • tall : 24cm(10inch)
  • max width : 7cm(3inch)

What is "DO"(道)?

There is a variety of something-"DO(道)" in Japan - "JU-DO":martial arts,"KA-DO":art of flower arrangement,"Sa-DO":art of tea ceremony,"BUSHI-DO":practical ethics of old warriors,and all the rest. I have even heard "EIGO-DO",that is,"English language-DO".


It is proper to translate "DO" as "way" in English because the word "way" has a variety of meanings as much as the word "DO",which includes the meanings originally such as 'route' or 'path',and in expanse,'method' or 'approach' or 'style' or 'manner' etc. And "the way of  life" - actually,the word "DO" has the nuance of  "dedication".


So, the above "EIGO-DO" is that "you have to completely devote yourself to mastering English!" -one book about it says the following: "Use only English,not Japanese in your daily life, read a copy of TIME more than 100 times, talk to all the foreign people whom you could meet across in the street, and you will master English!" - I often used to go and talk to them in Roppongi, Tokyo according to its precept, but I gave it up later because it cost too much - people who were willing to reply to me were all barkers of "unreasonable" show pub.


Silly talk aside, "DO" itself has discipline or rules - in Kado, Japanese flower arrangement, you have to master much detailed rules - choice of seasonable flower, order of several kinds of flowers, length and angle of branch or flower... these are quite compulsory, so some people leave its lesson, but others who remain say, "these rules have real meaning" - although I'm quite a stranger to Kado, I can understand what they say.


If we want to express sense of the season of tender green as liveliness or vitality, we could choose flowers with rich foliage and make arrangement to emphasize rather its foliage than flowers. But there is a variety of limitation - space limitation or plant trait or something. So, Kado masters have repeated trial and error to express their feelings effectively within limitation -the accumulations of their creative efforts are such detailed rules.


"Limitation" - if we want to purely enjoy flowers or trees, we can just go and see them or we can garden. But the basis of Kado is "to appreciate the sense of the season through plants in a room(usually, "washitsu", a kind of Japanese-style room)". So,many detailed rules -these are also all decoration techniques- underlie this basic standpoint.


Kokeshi-DO

Considering it, kokeshi,especially traditional kokeshi seem to have much limitation - the first is "wooden", the second is "(like) doll ", the third is "with no limbs", the forth is "by using lathe"... these are "intentionally-defined" limitation and even "unwritten" rules. I am really surprised that artisans have followed these rules - if I were an artisan, I would have complained about them -"give me liberty!" - and an old stubborn artisan would say to me, "Do what you should before that!"


Then, what's the basic standpoint in crafting kokeshi? After all, I think it is "the craft by wood turning" - however, there is another craft by wood turning -lacquer ware. So,accurately, it is "the craft by wood turning without lacquer". Historically, they have taken pride in their skills - I'll talk about it as a theme of "Kijishi",woodworkers some time.


I think crafting kokeshi is a kind of "DO(道)" in the sense that artisans devote themselves to it. And "DO" is not limited to matters of Japan - whatever people devote themselves to. It doesn't matter whether it has strict formality or not - rather, its extreme formality even leaves people cold in Japan - actually, Sado or Kado are not as popular as they used to be - they used to be much popular as "training for married life" in Japan!


I think one of the reasons is peremptory teaching - basically, "No buts.Do as you are told!" - how many times I heard the word when I practised Judo - But sorry to say, modern Japanese aren't as obedient as old Japanese. So, I think instructors or coaches had better use more explanation in their coaching or training  - for example, the reason or meaning of suitable stem length or highly-attractive flower angle or something - if they really want to hand down the value of their tradition. Incidentally, as for my Judo practice, I had obeyed my coach from child as an "old Japanese", but I was just slow to realized "not all men are created equal in talent for sport".

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"Free from Tradition" -Yajiro kokeshi

Background of Yajiro

"Yajiro"(弥治郎) is originally a person's name,which comes from a local legend that a surviving warrior with the name hid and lived there.

(incidentally,the ending of the word "ro"("郎" or "朗") is a popular given name for boys - for example,"Ichi-ro".)


It is a small village of Kijishi(craft workers) like Toggata.And the production of kokeshi started from the latter half 19th.Its target market was Kamasaki onsen(hot spa area),where is far about one mile from the village.

Yajiro is also located in the foot of Mt.Zao as Toggata is.As I discuss later,this geographical condition relates to Yajiro kokeshi's design significantly.

Children of Togatta Kokeshi

Yajiro kokeshi originally come from Togatta kokeshi -both villages are relatively close to each other in the same foot of Mt.Zao.In fact,early Yajiro's artisans positively introduced the skills and design of Togatta kokeshi into their works.

This is a picture of kokeshi.The type is a traditional Yajiro kokeshi.The artisan is Fukuo Niiyama.The tall is 31cm,12inch,the max width is 9.5cm,3.7inch,the max circumference is 30cm,11.8inch.

  • artisan : Fukuo Niiyama
  • type : Yajiro
  • tall : 31cm(12inch)
  • max width : 9.5cm(3.7inch)
  • max circumferences : 30cm(11.8inch)

As you can see,this doll is large-headed,and this is the feature of the type Togatta kokeshi.It shows a piece of evidence that they both has been "parent and child".But the kids had much "independent-mind".

Switched-on Kokeshi

She has a "body like a bottle".I don't know whether the body line was inspired by Coke,but definitely this is one of Yajiro kokeshi's own characteristics.Yes,Yajiro's artisan had much enterprising spirits.I hear some old kokeshi wore their hair in topknots,and some wore muffler.

The second characteristic is "wear a beret".See below picture.

This is the above picture magnifying its head part.

Why is this stripe patterns around her head called "beret"? I don't know exactly,but more popular was the beret with dark green or purple at the time in Japan.The point is a variety of shade.Now most artisans paint their works with many colours,but the pioneers were Yajiro's artisans.Moreover,some of them had moved from place to place to craft kokeshi - I think their such flexibility also shows they are of Kijishi's origin.So,now artisans of Yajiro group live and craft kokeshi in many areas.

Today,where is the pioneer spirit of Yajiro? Of-course,it still remains in modern Yajiro's artisans.Some are trying to pursue their own originality with respecting its traditional design.I think the essence of tradition in Yajiro is their such attitudes toward works.

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Tsuchiyu kokeshi (1)

Ten Major Areas of Traditional Kokeshi

There are 10 types in traditional kokeshi(cf."Type of traditional-kokeshi.Each type has been generally developed on each production area.So,each type is named after the name of its production area.Below is the list of them.

  1. Tsuchiyu (土湯)
  2. Yajiro (弥次郎)
  3. Togatta (遠刈田)
  4. Naruko (鳴子)
  5. Yamagata (山形)
  6. Zao (蔵王)
  7. Hiziori (肘折)
  8. Kijiyama (木地山)
  9. Hanamaki (花巻)
  10. Nuruyu (温湯)
This is the map showing all production areas.


Large traditional-kokeshi mapDisplay

The above map indicates almost all Tohoku region-Fukushima (福島),Miyagi (宮城)(above is marked Sendai(仙台)),Yamagata (山形),Iwate (岩手),Akita (秋田),and Aomori (青森).All are onsen spots as well.

(Niigata (新潟) is not included in Tohoku.)

Background of Tsuchiyu

First of all,I will talk about "Tsuchiyu kokeshi".You can know the overview of Tsuchiyu from the site "the Tsuchiyu".Might I add,it had some historical background below.

  • a major base of transportation which led to big cities of the day in Tohoku
  • a vibrant town with many amusements including nightlife
  • a town with attractive culture brought from Edo and Kyoto

These factors enabled Tsuchiyu to product kokeshi early in Japan.

Later on,it was replaced as a major town along with other areas development in Tohoku.And worse,some terrible disasters caused its decline.But now it still remains as one of popular spa spots in Tohoku.

Next Time I will talk about the characteristics of Tsuchiyu kokeshi.

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